Constantinos Gallis
Cambridge, MA & Athens, GR

Hello, my name is Constantinos. I am a Greek-Swiss artist, musician & student based in Cambridge, MA & Athens, GR. I am currently pursuing a Master in City Planning & a Master of Architecture at MIT, & am a recipient of the Onassis Foundation Scholarship. I hold a BA in Urban Studies from Stanford University, where I graduated with departmental honors & distinction, & was awarded the Firestone Medal for Excellence in Research.
     Through academic research, teaching, large-scale installations, performances, & audio-visual investigations, I have  explored the effects of urban change on the natural environment & society. My work has been exhibited in Athens GR, Cambridge MA, Stanford CA & San Francisco CA.
        I have honed my skills in planning & design at firms in London, GB, New York, NY & Athens, GR, working as an Architectural Assistant at Foster + Partners, an Urban Design Intern at WXY, a Neighborhood Strategies Intern at the NYCEDC, & as an Architectural Intern at Potiropoulos + Partners.
       Alongside my partner, I develop work for Oo-PS, a collaborative research & design practice working across scales to produce narrative-driven artwork, writing, music & objects as ways of anticipating future socio-environmental challenges & designing theoretical methods to meet them.
        I write, record, produce & occasionally perform music under the alias Shrinking Violet, a project that moves between ambient, dreampop & indie rock in an effort to create music about spaces, distance & uncertainty. Performing solo & alongside bandmates, I have opened for artists such as The Hellp, French Cassettes, & Illuminati Hotties. 

NavigationFilter Work by Discipline
All
Architecture
Art 
Urbanism
Installations 
Music 

MoreContact Information & Links
cgallis@mit.edu Instagram
LinkedIn

Oo-PS
Shrinking Violet

Influences
Posters 


Generation Loss
Stanford, CA
Tape Degredation Exercises
A tape-degradation experiment revisiting an ambient song from my EP The Fourth Way, recorded onto cassette & then re-recorded across ten successive generations until each tape was more distorted than the last. Cassette inserts were assembled from hazy outlines made by laying on pieces of photographic paper, arranged in proportion to the degradation of each tape. The piece was released on Spotify & added to an editorial ambient playlist.

[Many thanks to Paul DeMarinis for his support & guidance]

[Listen to Generation Loss]
16